Jun-seo is tired of the relationship he is in with Mi-yeon. But one day she is in an accident and falls into a coma. Then, unbelievably Mi-yeon visits him the next day just like any other ordinary day. He starts searching for other traces of Mi-yeon and realizes how much he loved her. Will he discover the love he has never realized, which has always existed close by him?
Mi-Ja is a 32 years old spinster. She lives with her grandmother and her grandmother’s two sisters. There’s also a widowed uncle that lives in their home as well his never before married son. Mija’s chance for success finally arrives when she is hired as a voice-over artist for a Japanese horror movie that is being re-released in Korea. While working as a dubbing artist, she quickly falls in love with Ji-Hyun, the notoriously mean producer that is overseeing their project. While Ji-Hyun doesn’t give the slightest hint that he is even remotely interested in her, Mija still feels that there is a special type of chemistry that exists between them. Because of this, Mija decides to follow her instincts to find true love, even if it means making a total embarrassment out of herself. Making things more difficult for Mija is the fact that her former boyfriend and his new girlfriend also work at the same studio.
A fairy tale set in Jazz Age-era New Orleans and centered on a young girl named Princess Tiana and her fateful kiss with a frog prince who desperately wants to be human again
A record company office worker named Kanna Aoi Miyazaki discovers a punk rock band called Shonen Meriken Sakku (Brass Knuckle Boys) through the internet and subsequently decides to represent them on behalf of her company. What Kanna did not know was that the Brass Knuckle Boys consists of all middle aged men.
The sudden death of her mother brings Myeong-eun back home to Jeju island. There she meets her sister Myeong-ju and her daughter Seung-a, still living at their old home, and Hyeon-a who has lived with them for over 20 years like a relative. With the absence of her father, and her complex about being an illegitimate child, Myeongeun tells Hyeon-a she will start looking for her father after the funeral. Myeong-ju accompanies her sister because of Hyeon-a’s persuasion and her sense of duty as an older sibling.
